Since I proposed this project to Caitlyn she was so excited about it that working with her was really fun. Her photos represent water and as I said in a previous post we went to downtown LA to shoot them.

Since water was the topic of these photos, we chose a proper outfit for her. The idea was to have her dancing literally "on" the water...and I can tell you that we actually tried...without much success though. So, we decided that close to those beautiful fountains was actually good enough.
In this photo, her tutu' seems to wave on her like...water... and her grace and elegance are just outstanding.
I like the fact that she's framed by the fountains and the skyscrapers seem to be the audience of her wonderful show. Finally, one detail I really like of this photo is her profile that beside being almost completely in darkness is outlined by the blue light on her left arm.

This photo is less dynamic compared to the previous one but she's just so beautiful in her ballerina outfit. Also, the fact that she's more to the right but looking left I think makes a nice composition.
As far as technical details, in this case they are pretty simple. I exposed for the sky, dropped two stops and then fired the flash camera left with a 1/2 CTB on it. The flash was also snooted to converge most of the light on her. Its position is obvious if you look at the shadow made by her feet. WB was incandescent and the remote flash was fired by the usual on camera flash.
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In this photo, her tutu' seems to wave on her like...water... and her grace and elegance are just outstanding.
I like the fact that she's framed by the fountains and the skyscrapers seem to be the audience of her wonderful show. Finally, one detail I really like of this photo is her profile that beside being almost completely in darkness is outlined by the blue light on her left arm.

This photo is less dynamic compared to the previous one but she's just so beautiful in her ballerina outfit. Also, the fact that she's more to the right but looking left I think makes a nice composition.
As far as technical details, in this case they are pretty simple. I exposed for the sky, dropped two stops and then fired the flash camera left with a 1/2 CTB on it. The flash was also snooted to converge most of the light on her. Its position is obvious if you look at the shadow made by her feet. WB was incandescent and the remote flash was fired by the usual on camera flash.
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